Amethyst & Obsidian Terrazzo Fragment

Description

• Visual Dispersion (Mechanical): The design exhibits “Viscous Scumble-Mottling Dispersion.” The pigments are dispersed as if they were heavy minerals settled onto a high-friction substrate. This provides a tactile “sandpaper” surface quality where color density is intentionally broken by the “tooth” of the stroke, mimicking the natural sedimentation of mineral dyes into a porous mineral surface.

• Pigment Dispersion (Zonal): The design features “Crystalline Linear Graduation.” Dispersion is strictly organized by “materiality.” The obsidian and deep amethyst shards exhibit maximum, opaque saturation, immediately transitioning to a “granular” lower density in the lavender and blue transition zones, mimicking the physical properties of heavy minerals meeting a drying mineral paper.

• Edge Dispersion (Sharp-to-Grit): The boundaries of the forms feature a “Defined Transition.” While the primary “shards” maintain a sharp graphic path to define the structure, the application of color creates a subtle “grit” or “scumbled” texture at the perimeters, ensuring the motifs feel hand-rendered rather than mechanically vectorised.