Obsidian & Amber Tonal Landscape

Description

• Visual Dispersion (Mottled): The primary obsidian and amber forms exhibit “Internal Wash Mottling.” The color is dispersed in soft, uneven clusters within the “peaks,” suggesting a “dry-on-wet” watercolor technique where the pigment is most saturated at the base and “ghosts” toward the summits.

• Pigment Dispersion (Zonal): The design features “High-Contrast Zonal Saturation.” Saturated mineral tones are dispersed in isolated “islands” of pigment, immediately surrounded by wide areas of raw white space or highly diluted “vapor” washes.

• Edge Dispersion (Sharp-to-Vaporous): The boundaries of the main forms feature “Tactile Ridge Dispersion.” Most elements maintain a crisp, physical edge where the dark paint meets the sky, while the “cloud” gestures exhibit “Vaporous Boundary Diffusion” to provide secondary depth.