Description
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Visual Dispersion (Mechanical): Both designs exhibit “Micro-Stippled Mottling.” The pigments are dispersed with extreme precision to mimic the individual knots of a Silk-Isfahan carpet (often exceeding 1,000 knots per square inch). This provides a tactile “grainy” surface quality where color density is 100% consistent across millions of micro-nodes, ensuring zero “bleed” between the thousands of interlocking floral vines.
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Pigment Dispersion (Zonal): The designs feature “High-Contrast Zonal Saturation.” Dispersion is strictly organized by “Ornamental Logic.”
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In the FRONT, the Alabaster field utilizes a “mottled-clay” dispersion to mimic natural fiber texture, allowing the Ruby arcade to maintain maximum saturation.
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In the DUPATTA, the Obsidian-Lapis field utilizes a “void-density” dispersion, appearing almost black to make the crystalline highlights of the central mandala pop.
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Edge Dispersion (Razor-to-Etched): The boundaries of the forms feature a “Defined Transition.” Every vine, leaf, and architectural scallop is defined by a razor-sharp graphic path, mimicking the look of fine-line metal etching or laser-printing on high-grade textile fibers.
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