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Obsidian-Lapis & Amber-Buta Tectonic

99.00
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Obsidian-Lapis & Coral-Bloom Tectonic

99.00

This composition prioritizes “Biaxial Arboreal Scaffolding.” It is a masterpiece of deconstructed Persian “Garden of Paradise” ornamentalism. The central field features a dense, mirrored massing of flowering branches, birds, and floral vases that emerge from a singular, central vertical axis.

  • Style: Royal Persian Naturalism / High-Density Ornamental Fusion.

  • The Look: The design utilize “Horizontal Register Scaffolding.” The base features an architectural Cream-and-Ruby arcade border, providing a luminous, grounded foundation for the vibrant, high-contrast garden scene that vibrates against the deep obsidian-indigo ground.

  • Style: Formal Heritage / Linear-Centric Graphic.

  • Key Feature: Horizontal Header Scaffolding. The top and bottom zones feature a dense, high-saturation architectural border, providing a rigid frame that organizes the subtle, textured background.

  • As soon as you purchase Deshighn. will be sent to your email address within 24/48 hours.

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SKU: 22 (FRONT-BACK-SLEEV-DUPATTA) Categories: ,
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Description

  • Visual Dispersion (Mechanical): Both designs exhibit “Micro-Stippled Mottling.” The pigments are dispersed with extreme precision, mimicking the individual knots of a Hand-Knotted Silk Tabriz Carpet. This provides a tactile “grainy” surface quality where color density is 100% consistent across millions of micro-nodes, ensuring zero “bleed” between the thousands of interlocking floral vines and avian specimens.

  • Pigment Dispersion (Zonal): The designs feature “High-Contrast Zonal Saturation.” Dispersion is strictly organized by “Ornamental Logic.”

    • In the FRONT, the Obsidian-Lapis ground exists in a state of maximum saturation to create a deep, physical void that makes the Coral and Amber motifs pop.

    • In the DUPATTA, the Toasted-Umber field utilizes a “low-density” ghosting dispersion to mimic the texture of aged parchment or hand-dyed wool.

  • Edge Dispersion (Razor-to-Etched): The boundaries of the forms feature a “Defined Transition.” Every leaf, bird, and geometric shard is defined by a razor-sharp graphic path, mimicking the look of fine-line metal etching or high-resolution digital loom-printing on luxury textile fibers.

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