Description
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Visual Dispersion (Integrated): The primary floral forms exhibit “Textural Boundary Integration.” The color is dispersed so that the edges of the blooms occasionally bleed into the underlying script, suggesting a “wet-on-dry” technique where the paint has partially soaked into the “paper” texture of the background.
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Pigment Dispersion (Zonal): The design features “Saturated Focal Zonation.” Saturated crimson and teal pigments are dispersed in dense pockets at the center of the darker flowers and within the leaves, immediately surrounded by wide areas of highly diluted or “ghosted” cream washes that provide a sense of atmospheric light.
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Edge Dispersion (Sharp-to-Vaporous): The boundaries of the main forms feature “Linear Edge Dispersion.” Most elements maintain a crisp, illustrated edge—especially in the teal leaves—which is contrasted by the “Vaporous Internal Dispersion” of the white and peach petals, where the pigment ghosts softly into the background.















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