Description
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Visual Dispersion (Viscous): The charcoal elements exhibit “Viscous Line Pooling.” The pigment is dispersed as if applied with a wet ink-pen, settling more heavily in the “joints” of the scrollwork and the base of the petals to create natural, self-shading “tide lines.”
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Pigment Dispersion (Mottled): Within the white and grey washes of the petals, the pigment shows “Granular Tonal Mottling.” The color is dispersed unevenly in fine, cloud-like clusters, providing an organic, hand-painted texture that prevents the grey tones from looking flat or digital.
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Edge Dispersion (Structured): The boundaries of the main forms are “Structured.” Unlike your “Fluid Luminous” series, the pigment here is dispersed within crisp, high-contrast outlines. This ensures the complex Baroque detail remains the primary focus and stands out sharply against the electric background.
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